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- Sales Rank: #11357761 in Books
- Published on: 1991-04-01
- Binding: Unknown Binding
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Your definitive guide to computing concepts! Motivate your students to reveal the relevancy of technology. O'Leary, Computing Essentials 2011 provides you with a complete learning package, focusing on the most important and essential concepts of information technology. Students are given a streamlined, concise, attractive approach to the fundamental issues surrounding the world of computing. It has a balanced approach between theory and applied learning while highlighting the relevance of these important topics. All of the items featured with this text - including the end of chapter materials and the text websites - work together to help you truly understand the basics of computer concepts. This text also correlates with SimNet Online, our online training and assessment program for the Microsoft Office Suite and also computing concepts!
- Sales Rank: #781622 in Books
- Published on: 2010-03-22
- Original language: English
- Number of items: 1
- Dimensions: 10.80" h x .90" w x 8.50" l, 2.46 pounds
- Binding: Paperback
- 544 pages
About the Author
Linda O’Leary is a professional trainer in Computing. She has developed training manuals for large corporations, presented seminars on a wide variety of application programs, and has co-authored severalbooks with her husband, Tim.
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Free PDF David Hockney: A Drawing RetrospectiveBy Ulrich Luckhardt, Paul Melia
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Published to coincide with the first major retrospective of David Hockney's drawings in 15 years, at the Los Angeles County Museum of Art, this volume brings together for the first time an exciting selection of the works on paper and in sketchbooks of perhaps the world's most widely celebrated contemporary artist. A chronology and select bibliography accompany the 145 color and 70 black-and-white illustrations.
- Sales Rank: #1134788 in Books
- Brand: Brand: Chronicle Books
- Published on: 1996-03-01
- Original language: English
- Number of items: 1
- Dimensions: 12.50" h x 9.75" w x 1.25" l,
- Binding: Hardcover
- 264 pages
- Used Book in Good Condition
From Publishers Weekly
British-born artist David Hockney has lived in L.A. since the 1970s. His luxuriant drawings of California, with their Mediterranean-like idyll of blue skies, palm trees and swimming pools, speak of alienation and spiritual emptiness. In this catalogue of a retrospective at the Los Angeles County Museum of Art, Hockney's diverse crayon, charcoal-and-ink drawings and watercolors include ruthlessly honest self-portraits, serene still lifes, nudes, street scenes, penetrating portraits and startlingly original vistas based on his travels in Egypt, Morocco, Paris and Hollywood. Also included are experimental works such as computer drawings, fax-machine images and Polaroid collages that combine photography with pencil sketches. In their accompanying essay to a rich, constantly new body of work, Luckhardt, a curator at the Hamburger Lunsthalle, and Melia, a British art historian, explore how drawing informs Hockney's approach to every medium, including painting and stage-set design.
Copyright 1996 Reed Business Information, Inc.
From Booklist
No living artist is better known than David Hockney. His paintings of well-heeled people (his friends and collectors) in large, sparely furnished rooms filled with pastel light and of swimming pools outside those rooms are icons of Southern California that have influenced everything from display advertising to MTV. He is the best stage designer for opera in ages, and his male nudes are admired by more than just his fellow gay men. This survey's 165 drawings, dating from Hockney's British art school days to 1994, collectively show one reason for his long-lived success: he samples from throughout the history of art, stylistically (recently, from synthetic cubism) and technically (e.g., using van Gogh's tool, the reed pen, to draw as he did); this borrowing makes Hockney's work rich in cultural suggestion yet never overpowers his own artistic personality. The essays by Luckhardt and Melia help with appreciating Hockney's uses of older art but don't bog down in technical talk. A most rewarding art book, though some early colorplates are inexplicably out of numerical order. Ray Olson
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- Sales Rank: #1886274 in Books
- Published on: 2010
- Binding: Hardcover
- English and Arabic text
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Review
"This book has two strengths. First, it covers historical and contemporary viewpoints, enabling the reader to understand the role that women contributed to change over space through time. Second, the work contains studies at various scales, ranging from the local to the global....the book is an excellent introduction to the geography of gender and is also recommended to nongeographers. An excellent feature is the liberal number of maps, photographs, and drawings. Lower-division undergraduates and above."--Choice"For too long, Anglophone geography has lacked a comprehensive introductory text on gender issues. Putting Women in Place answers this need. The text's strength lies in its attention to the central debates and concerns of the many subfields of human geography, and its balanced approach to both historical and contemporary examples. It will serve as an important anchoring text for introductory gender and geography courses, as well as a companion text for geographically oriented introductory courses in women's studies."--Sallie Marston, Department of Geography and Regional Development, University of Arizona"Most geographical studies assign women an invisible place in space. It is man who explores, names, and dominates while woman remains invisible. This book offers a broad account of the variety and complexity of gendered roles in both time and space, whether in the domestic environment, the workplace, the city, the imperial colony, or the natural environment. From single women as homesteaders on the American frontier, to lady Victorian explorers finding freedom and release through travel, to super-moms in the suburbs carrying out their multiple roles, Domosh and Seager offer a compelling account of how definitions of femininity are forged in space."--M. Christine Boyer, School of Architecture, Princeton University"Putting Women in Place: Feminist Geographers Make Sense of the World is a lively and well-illustrated overview of the geography of women. Treating both historical and contemporary issues, Domosh and Seager provide a feminist perspective on space and gender. For many years, I have wanted to be able to assign a book like this. I recommend it for graduate and undergraduate courses in geography, history, architecture, and urban studies. --Dolores Hayden, Professor of Architecture, Urbanism, and American Studies, Yale University, author of The Grand Domestic Revolution: A History of Feminist Designs for American Homes, Neighborhoods, and Cities
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About the Author
Mona Domosh is Professor of Geography at Dartmouth College. She is the author of Invented Cities, the coauthor of The Human Mosaic, and the former coeditor of the journal Gender, Place, and Culture. Joni Seager is Dean of Environmental Studies at York University in Toronto, Canada. She is the author or editor of several books, including The Penguin Atlas of Women in the World, A Companion to Feminist Geography (with Lise Nelson), and Earth Follies: Coming to Feminist Terms with the Global Environmental Crisis.
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Product details
Paperback: 216 pages
Publisher: The Guilford Press; 1 edition (May 30, 2001)
Language: English
ISBN-10: 1572306688
ISBN-13: 978-1572306684
Product Dimensions:
7 x 0.8 x 9.8 inches
Shipping Weight: 1 pounds
Average Customer Review:
4.8 out of 5 stars
6 customer reviews
Amazon Best Sellers Rank:
#665,057 in Books (See Top 100 in Books)
Excellent. Easy to read and informative.
This is an excellent book on the geography of feminism. This book points out the spatial activities of women throughout history and the world. Mona Domash is a leading feminist geographer with great insight to world of women.
Was a little skeptical when I saw the book for my Gender Studies class was called Putting Women in Place, which doesn't sound like a very female-friendly title, but it turned out to be incredibly good. Domosh and Seager have a way of writing that is clear and easy to understand as they tackle relevant subjects of Women's Studies today.
excellent
Amazing book!
The product came exactly as it said it would and it was much cheaper than at the bookstores on/around campus. Good deal!
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- Sales Rank: #3934910 in Books
- Published on: 1982-01
- Original language: Spanish
- Number of items: 1
- Dimensions: .90" h x 5.94" w x 8.96" l,
- Binding: Paperback
- 450 pages
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Free Ebook Cold Iron
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Audible Audiobook
Listening Length: 19 hours and 29 minutes
Program Type: Audiobook
Version: Unabridged
Publisher: Hachette Audio
Audible.com Release Date: October 30, 2018
Whispersync for Voice: Ready
Language: English, English
ASIN: B07JPFTB5N
Amazon Best Sellers Rank:
The Traitor Son Cycle is among one of my favorite fantasy series alongside Sanderson, Weeks, Tad Williams, Pierce Brown, and Robert Jordan. But this book fell flat for me. I never really attached to any of the characters, not even Aranthur. Further, I like my fantasy devoid of current social and political issues. Fantasy is an escape from the world so I prefer the author to leave their agendas out of it. However, Cameron is outstanding in world building and I love his unique magic systems even though the magic system in this book was a bit muddy and not clearly defined. Very disappointed since I had such high hopes for Cameron in this genre.
I have been following Messire Cameron for years now, ever since I stumbled upon Tyrant in my futile search for historical prose that was not yet another tale of twelfth century English nobility or Templars.It's always the damn Templars.Both William Gold's and Arminestos' cycles sit squarely at the top of my list of historical fiction of the last decade. Messire Cameron has a flair for giving histories, of both the recorded and made up kind, texture and colour that appeals to me on a personal level. It helps that he writes on subjects that are my passion. Red Knight is one of my favourite fantasy novels, so unlike my other literary choices, yet equally loved.And I enjoyed Cold Iron. Less so than his other works, but enjoyed it nonetheless.It is a slow, character driven book with few moments of truly intense action. I consider that a boon. It takes time with its world right at ground level. I don't care about the overarching theory of magic in my fantasy (although the book appears to have one), but a man eating a squid dish or buying a pair of gloves is my jam. It is unapologetically a coming of age story, a comfort read, something you devour under a blanket, with rain tapping on the window, washing it down with a mug of hot mint and honey, but it manages to skirt most issues you'd expect to see in yet another take on the farm boy trope. Our character is competent and talented without crossing the line into obnoxiously gifted. Mostly. He's likeable enough, or at least inoffensive in his young adultness, and wears his provincial patch with grace enough. The world is delightfully referential, refreshingly unconcerned with explaining its egalitarian nature and words cannot describe my glee upon being informed that a character speaks passable 'Kipkak'.Are there issues? Yes. Are those important issues? No? I don't think so. They don't really touch the core of the book, the part that will either make you enjoy it or put it down within the first fifty pages.I do think Messire Cameron's first person voice is much stronger than his third person narration and Cold Iron belongs in the later category. The prose remains strong but feels less intimate than, say, Red Knight, despite concentrating on a single point of view.The protagonist is rather passive, that's true. One could rightfully justify this by the circumstances that surround him, but the way random occurrences and outside influence push him along the plot line robs the consequences of his actions of some of the weight. Support characters are fine for the most part, although the female cast feels as if cut from the same general pattern. We're told they're different, but they don't read different to me and so Gorgo or Briseis they are not. Some of the social commentary feels stitched onto characters and world that have little reason to think and act they way they do. The antagonists are of the villain variety, not the engaging, character building type; more mobile physical threats, than actual opponents.I've written a much longer, somewhat rambling essay concerning those… observations? In the end I felt the book does not deserve to have its relatively minor flaws dissected for my personal edification.The story ends with a clear indication we're in for a cycle, although the cliffhanger is rather inoffensive by industry standards. Not as nicely wrapped up as Red Knight, but sufficiently resolved.A solid four out of five stars, Ebert style.
Let’s get it out of the way. Cold Iron is an excellent book. Miles Cameron is a great author. You need to read this book. While you’re at it, read all of his other books. They’re just as good. Cameron writes swords and armor like no one else. His fight scenes are the greatest I have ever read. I’ve even learned some important life lessons from his work. GRRM could learn quite a bit from Cameron. This is my review.Pros:1. Superb world-buildingCameron’s world building is some of the most convincing I have ever read. A lot of fantasy worlds are built around a single idea (i.e. the magic system). The danger of this is that sometimes the story lives or dies based on the idea, and it also is not as convincing. Our own world has so many elements to it, so reducing fantastical worlds to a single element sometimes cheapens the feeling of immersion. Cameron, on the other hand, has put a lot of thought into Cold Iron’s cosmology, religion, historical analogues, material culture, beliefs, politics, and society. Because of this, he easily sidesteps the common fantasy problem of exposition dump. Because he has interwoven his world so effectively, when his characters curse by pantheons we have never heard of, it still sounds believable because it is a fundamental part of the world. I also want to point out Cameron’s mastery of material culture and economics. Too often in fantasy the only parts of material culture we get to see are the arms and armor. Cameron talks about leather-making, jewel-making, calligraphy, industry, farming, and tutoring. These things cost money, and so the characters in Cold Iron think about how much items cost, how they are made, the quality they are built with, etc. The result is that the world feels incredibly lived in. There are lives and activities outside the main character that move on with or without his presence. This is a skill that I have not often seen in the fantasy novel business, and it makes Cameron’s work truly stand out.2. Amazing action scenes with realistic understanding of arms and armor.Cameron is a reenactor and martial artist, and it truly shows in his fight scenes. Cold Iron has a series of sword fights that place the reader in the midst of the action. Cameron is able to explain the technical aspects of a fight in such a way that the average layman has a clear understanding, yet still remain technical enough that we know we are reading about professionals who know their business in ways that we cannot. His integration of his magic system with his martial qualities are also very well-thought out. For example, in one scene, the main character casts a spell (for lack of a better word) that allows him to see magical power displayed in different colors, which is basically magical night-vision. It’s amazing, partly because, of course someone should come up with a spell like that.3. Realistic charactersThe best part of a Cameron book are the characters. No character is stock. Each one has layers and layers. In my opinion, Miles Cameron writes the best banter of military men and women in the business. Hands down. I will fight you over this. There were lines that had me laughing out loud. And it’s not just military people either. The farmers, shopkeepers, and food sellers are all wonderfully alive and real. Not only are his characters alive, but they also are very realistic. Mainly, because some of his young characters can be very dumb, because young people are usually very dumb. Part of the coming-of-age genre is when the protagonist grows up and realizes just how stupid he or she is. Aranthur is a young man. Most young men think with their groins. This is what Aranthur does. He is also super focused and shuts things and people out. He also doesn’t always use his time well. He gets involved in things he shouldn’t, etc. This leads to many humorous situations that provide excellent story material.One of the important themes Cameron deals with in Cold Iron is racism. I found his treatment of the topic to be very compelling, and he asks some very piercing questions. Is a person evil if he despises another race? What if he is your uncle? Or your mother? Does that make them irredeemable? These are difficult questions to answer. Aranthur certainly doesn’t have answers and his journey and development in these areas is part of what makes the story so captivating. I did have some issues with this, which I discuss below, but overall, Cameron does a good job of capturing the complexities of his wonderful universe.Also, my favorite character is Ansu who is basically an incredibly horny Asian guy.Cons:1. Themes are a little on the nose this time around.I’ve read every single Cameron book written (all 36, yes, I might have a problem), and he tends to have themes in his works. In the vast majority of his work, his themes are beautifully interwoven into his characters, world, and plot. I found Cold Iron’s themes regarding refugees, cultures, and societal views to be a bit on the nose and preachy this time around. Mind you, this is in comparison to himself, and when it comes to Cameron’s work, I’m not the most objective reviewer. To another reader, it may not be as obvious.2. Clearly setup for a second book.Cold Iron is the first book in a trilogy (Book 2: Anvil of Darkness, Book 3: Lightbringer, tentatively). This book sets up further action and asks future questions. Who is the Master? Who are the Pure? Why are they conquering everyone? Who is Ansu going to bang next? Important questions. For those who like standalone books, this book may not be for them, but most of those people are wrong.
My favorite Miles Cameron book yet. Cameron's world building is rich, deep, and realistic. The world, its politics, economics, and culture a incredibly well thought out and believable. Combined with a great magic system and excellent characters, it is easy to become immersed in the world Cameron has created.One of my favorite elements of the story are the deeply developed characters. Aranthur is a unique protagonist. He comes from a disliked ethnic/cultural minority and deals with regular discrimination. He also isn't a magnificent warrior. These elements allows for excellent character development throughout the story.As usual, Cameron writes fantastic battle scenes. He clearly has deep knowledge of military history and medieval combat and it comes out in his writing.Can't wait for the next book in the series!
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